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・ Flying Squadron (1869)
・ Flying Heroes
・ Flying High
・ Flying High (1931 film)
・ Flying High (album)
・ Flying High (Captain Hollywood Project song)
・ Flying High (Chipmunk song)
・ Flying High (Freeez song)
・ Flying High (musical)
・ Flying High (TV series)
・ Flying High Again
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・ Flying High on Your Love
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Flying Home
・ Flying Home (film)
・ Flying Horse Carousel
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・ Flying in a Blue Dream
・ Flying in a Blue Dream (song)
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・ Flying J
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Flying Home : ウィキペディア英語版
Flying Home

"Flying Home" is a 32-bar AABA jazz composition most often associated with Lionel Hampton. It was written by Benny Goodman and Hampton with lyrics by Sid Robin.〔(【引用サイトリンク】website=Second Hand Songs )
It was reportedly developed around a tune Hampton whistled as he nervously waited for his first flight on an aircraft.〔(【引用サイトリンク】website= All About Jazz )〕 It was first recorded by the Benny Goodman Sextet on November 6, 1939 featuring solos by Hampton and Charlie Christian. Several other groups subsequently recorded the tune; however, the most famous version is a lively 1942 recording by Lionel Hampton and His Orchestra, featuring a tenor sax solo by Illinois Jacquet. Ted Heath (bandleader) does a swinging jump-blues version as well.
Singer Chris Connor recorded a vocal version of the song for Atlantic Records and released it as a single in 1959 (ATL-2017).
Ella Fitzgerald recorded a seven-minute-plus rendering that can be found on the Pablo release ''Digital III at Montreux'' (1979), while her 1945 scatting version (arranged by Vic Schoen and performed with Vic Schoen and his Orchestra), included on the Decca release ''Lullabies of Birdland'', was later described by ''The New York Times'' as "one of the most influential vocal jazz records of the decade....Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness."
==Illinois Jacquet solo==
In 1942, at age 19, Jacquet soloed on the Hampton Orchestra version, one of the very first times a honking tenor sax was heard on record. The record became a hit. It was a jazz classic, as well as what can be considered one of the first rock and roll records. The song immediately became the climax for the live shows and Jacquet became exhausted from having to "bring down the house" every night. The solo was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band, notably Arnett Cobb and Dexter Gordon, who achieved almost as much fame as Jacquet in playing it.
It is one of the very few jazz solos to have been memorized and have been played very much the same way by everyone who played the song. The solo helped influence and define the honking and wailing style of saxophone playing that became a feature of early Rhythm and Blues music.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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